线路四
剧情简介
一(yī )对情侣外(🏚)出(🛁)度(dù )假(jiǎ )，入住豪(🏠)宅，然而(ér )，当他们半夜醒(xǐ(😬)ng )来(❣)，却发现自己躺(🕡)(tǎ(🥄)ng )在(zài )一个处处充(🐧)斥(chì )着(zhe )恐怖氛围的荒弃诡(🤛)(guǐ(🎾) )宅中……他们(🏠)意(🚄)(yì )欲逃离，然而却(🚲)始(shǐ )终逃(🚝)不出去，努(nǔ )力(lì(🍢) )奔(🐾)逃，但逃往的(de )地(🥓)(dì(🌲) )点却还是这所(suǒ )诡(guǐ )异的(🏧)荒宅……更恐(kǒ(😍)ng )怖(🐰)的是，当他们(men )再度(🌙)回到这座诡宅(zhái )，却发现，时(🥣)间(🏌)(jiān )跟(gēn )他们走(🖕)出(🏈)去的时(shí )间(jiān )，一(🚳)样…… 1995年(nián )，Jonas是个躲在柜中(🕤)的(➕)14岁(suì )男孩，他对(🐼)英(🍍)俊(jun4 )潇洒的同学Nathan一(🕥)见钟(zhōng )情(qíng )，尤其对Nathan桀骜(à(🦒)o )不(🚟)(bú )驯的一面又(🌓)爱(💞)又怕(pà )。18年后，三十(🗞)而(ér )立的(🚚)Jonas已是风流倜傥(tǎ(🏧)ng )的(🍏)熟男，却仍在(zà(🗑)i )寻(🗣)(xún )找人生平衡点，因(yīn )为挥(⬆)之不去的(de )回(huí )忆(🆚)阴(😋)影，他回到睽(kuí )违(😁)已久的家乡，试图在每个记(🚧)忆(💕)角(jiǎo )落(luò )，寻找(😿)早(🥁)已失(shī )去(qù )的线(🧗)索、14岁的自(zì )己(jǐ )，以及他(🌽)曾(😜)经(jīng )爱(ài )过的(🧡)那(🍸)个男孩… 雷(léi )切(🙈)尔和男朋(👴)友分(fèn )手了回到(😇)家(🍴)中发现(xiàn )室(shì(🌪) )友(📚)把她的床卖(mài )了(🍼)(le )，于是她们(➖)俩只能(néng )睡在一(🌕)张(🎇)床上，在某个不(🐌)可(🙉)描述的(de )夜晚个夜晚，她(tā )两(⏱)(liǎng )之间发生了一(🆖)些(💪)(xiē )事(shì )情，蕾切尔(🌃)动(dòng )了(le )真情，而室友却觉(jià(🏹)o )得(🌀)她太黏人，两(liǎ(😴)ng )个(🙎)人的友谊因同床(🏟)(chuáng )共(gòng )枕，而发生了(le )微(wēi )妙(🛥)的(🏼)变化。@橘里(lǐ )橘(🥇)(jú(👙) )气译制组 少年莊(👺)(zhuāng )崇斌無(🌅)法忍受同學(xué )的(🚲)欺(👄)凌，決定跳(tiào )樓(🍹)結(👥)束受欺凌的生(shē(🎨)ng )活(huó )，警察(🤓)趙順昌(chāng )及(jí )時(🥄)出(🐪)現，給了少年(niá(🥔)n )鼓(👻)勵和勇氣。 A young couple picks the wrong hideout while trying to elude the police. 阿(ā )軒意外穿越(🐳)回到了(le )5年前仍在(🏯)讀(🔽)大學(xué )的時期，正(🅰)是他與(yǔ )女(nǚ )友 Joyce第一次邂(⛲)逅(🏾)(hòu )的(de )日子。阿軒(♐)認(🍮)為這(zhè )是上天給(🐆)他的一(yī )次機會， 讓他阻止(🆗)(zhǐ(💻) )父(fù )親因沉迷(🚷)賭(🈷)博(bó )而(ér )鑄成大(➗)錯、並救(🧠)(jiù )回(huí )5年後意外(🐛)受(😀)傷(shāng )昏(hūn )迷的(🍶) Joyce，從(👴)而改變自(zì )己的(🛋)命運。然而(☝)(ér )，命運真的可以(🤔)改(👌)(gǎi )變(biàn )嗎？一(📶)切(❣)又是(shì )否(fǒu )可以如他所願(🔚)？ Seven snowboarders trek deep into the Cascade Mountains and become desperately lost as they are hunted by a school shooter. Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
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