线路四
- 20250129
- 20250204
- 20250205上
- 20250205中
- 20250206
- 20250211
- 20250212上
- 20250212下
- 20250213
- 20250218
- 20250219上
- 20250219下
- 20250221
- 20250225
- 20250226
- 20250228
- 20250305
- 20250306
- 20250312
- 20250314
- 20250318
- 20250319上
- 20250319下
- 20250320
- 20250325
- 20250326上
- 20250326下
- 20250328
- 20250401
- 20250402上
- 20250402下
- 20250408
- 20250409上
- 20250409下
- 20250411
- 20250412
- 20250415
- 20250416上
- 20250416下
- 20250417
- 20250419
- 20250422
- 20250423上
- 20250423下
- 20250425
- 20250429
- 20250430上
- 20250430下
- 20250509
- 20250510
剧情简介
在(♐)贝鲁(🕓)(lǔ )特一个街角的(♈)咖(kā(⏸) )啡店(diàn )二(👎)楼(ló(🏬)u )，有一面大大的转(♍)角(jiǎ(💝)o )窗和(hé )一(🍊)台电(🤨)视机，一位78岁(suì )的(🤗)退(tuì(🆔) )伍将军和一位81岁的退(tuì )伍军(jun1 )医(⛔)每天(🚤)早上都会在这(zhè )里碰(pèng )面，看着(⚫)街角(🕯)车来人(rén )往，做着(🍴)填字(🥋)游戏，以此(🐯)(cǐ )对(🧛)抗(kàng )阿茨(cí )海默(🍡)综合(🧠)症。伴(bàn )随两(liǎ(🧣)ng )位老(lǎo )人的玩笑(📱)和字(⏯)谜(mí )，咖(kā )啡馆(guǎn )的顾客纷纷登(🐅)场(chǎ(⏹)ng )。本片用(yòng )发生在(🐺)一个(🔳)社会(huì )小(🦅)角落(🔔)16天(tiān )之内的一系(♒)列事(🔽)件，四两(liǎ(🚱)ng )拨千(🏻)斤地讨论了人生(🈶)(shēng )、(🙍)政(zhèng )治、历史等话题；通(tōng )过(🗝)单(dā(🔯)n )场景多幕剧的结构让(ràng )人感(gǎ(〽)n )受到(🌌)老人们的孤独，以(🤹)及(jí(🈂) )疾病带来(💷)的苦(🍛)涩，同(tóng )时映(yìng )射(🗼)出黎(🚊)巴嫩暴力事件(🙎)(jiàn )肆虐(nuè )的现(xià(🐔)n )状。以(♑)小见大，令人(rén )回味(wèi )。 Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past. 林义与女(🥛)朋友(💽)(yǒu )赵婷(tíng )、朋(pé(💪)ng )友马(🚒)三探亲途(👚)经(jī(🗡)ng )大青沟，无意得知(⛲)商人(🌟)王(wáng )金堂(🏑)勾结(⏪)(jié )土匪，欺行霸市(🌷)，独(dú(🐹) )揽该(gāi )地人参生意。几经周(zhōu )折(♊)，最终(🏚)在林义的带领下(xià )，众(zhòng )人将以(✨)王金(🍤)堂为首的(de )恶人(ré(🛂)n )打败(👼)，还靠山镇(🍓)往日(🚼)(rì )欢乐(lè )祥和之(🍠)景。 不(♊)管这导(dǎo )演嗑(kē )了什么很纯的(👚)，全部(🦑)(bù )都要(yào )给你(nǐ )来一点！在澳洲(🍘)(zhōu )这(📧)座(zuò )曾经(jīng )被称(🥉)作「(✉)无主之(zhī(⛵) )地」(🔊)（Terra Nullius）的大陆，历史(🐴)以(yǐ(🎩) )前所未见(🗑)(jiàn )的(🐿)观点重新诠释(shì(⭐) )：当(🐜)《疯(fēng )狂麦斯》末日场景成(chéng )为难(👫)(nán )民(😭)拘留地，食人羊成(chéng )为反(fǎn )殖民(🖖)叛乱(🚐)份子，《沙(shā )漠妖(yā(🚍)o )姬》与(🎎)电视剧《请(🤩)喜(xǐ(🐝) )欢我(wǒ )》有了跨时(🔦)空的(😾)酷儿(ér )对话(huà )……本片以近似(🍵)DJ取样(💏)(yàng )混音(yīn )之拼贴手法，打开了(le )虚(🎩)构(gò(😻)u )与史(shǐ )实间的神(⭕)秘黑(🎙)洞(dòng )，大(dà(💏) )量援(⛓)(yuán )引电影名场景(🙆)与(yǔ(👟) )历史典故(😙)(gù )，穿(⚾)越时空与各(gè )种(🛏)语境(🎳)，重写、改写、乱(luàn )写，全面(miàn )毁(🏦)坏观(🛳)众的三观！这(zhè )是(⚡)一(yī )部政治复(🏽)仇预(🐹)言，杂(zá )揉讽(fěng )刺(🚿)喜剧(🖖)、生态恐(🏸)怖与(💖)(yǔ )公路(lù )电影类(😑)型，写(👞)下澳洲(zhōu )国族(zú )神话从未被纪(🔇)录的(💑)史(shǐ )诗篇(piān )章。 1926年，在面临个人(ré(〰)n )生活(🚡)(huó )破碎和写作瓶(🤕)颈危(🐂)机(jī )的情(🎯)(qíng )况(🎶)下(xià )，年轻的阿加(🎶)莎(shā(🌇) ).克里(lǐ )斯蒂(dì(⏱) )决定自己去解决(🐲)(jué )一(🌀)个真实(shí )生活中的谋杀案(àn )。 When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she's left on the outside looking in and is forced to deal with the realities of adulthood for the first time.
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